A Short History Of Typography In Popular Culture V

1. Ed Ruscha Ripe, 1967
2. Junya Watanabe Spring/Summer 2002
3. Ed Ruscha Raw, 1971
4. Junya Watanabe Spring/Summer 2002
5. Ed Ruscha Jelly, 1967
6. Junya Watanabe Spring/Summer 2002
7. Ed Ruscha Hope, 1998
8. Ed Ruscha The Question, 1989
9. Ann Demeulemeester Spring/Summer 2003
10. Ed Ruscha Body And Paint, 1989
11. Ed Ruscha Sea Of Desire (hot sauce on moiré), 1973
12. Raf Simons Spring/Summer 2011
13. Alastair Strong Windows, 2011
14. Ed Ruscha The End #1, 1993

"Live, Sin, Hope" - an excerpt of "Body And Paint" by Ed Ruscha and Ann Demeulemeester. "Ripe watermelon, raw ham, jelly peanutbutter" - an exquisite corpse poem by Ed Ruscha and Junya Watanabe. "Sea Of Desire" - an erotic novel by Ed Ruscha and Raf Simons.
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In Review/Voices

"LYNNandHORST's posts are not simply examples of juxtaposition. It reminds me of Ezra Pound's concept of super-position or what Earl Miner described as Pound’s use of a 'super-pository method'. There is a discordia concors, a metaphor which is all the more pleasurable because of the gap which must be imaginatively leaped between the statement (of line one) and the vivid metaphor (of line two). Or in the case of LYNNandHORST image one and image two. The 'one-image poem' is a form of superposition, that is to say, it is one idea set on top of another. It's the interplay between the layers that elevates this blog." – Rudy Katoch
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