Paths Towards Modernity III

A fictive documentary in art and fashion.

1. Walter van Beirendonck Spring/Summer 2014
2. Isa Genzken Bouquet, 2004
3. Isa Genzken Mutter Mit Kind, 2004
4. Isa Genzken Oil (Detail), 2007
5. Walter van Beirendonck Fall/Winter 2013
6. Walter van Beirendonck Fall/Winter 2009
7. Isa Genzken MLR, 1992
8. Isa Genzken Schauspieler, 2013
9. Nick Knight Dream The World Awake, 2011
10. W&LT Fall/Winter 2009
11. Isa Genzken Schauspieler, 2013
12. Isa Genzken Installation view, 2012
13. Walter van Beirendonck Fall/Winter 2012
14. Isa Genzken Fuck The Bauhaus, 2000
15. Walter van Beirendonck The Sequel, 2009
16. Walter van Beirendonck Spring/Summer 2008
17. Isa Genzken Installation view, 2012
18. Isa Genzken Mona Isa X (Gold), 2010
19. Walter van Beirendonck Fall/Winter 2013
20. Isa Genzken Schauspieler, 2013
21. Walter van Beirendonck Spring/Summer 2009
22. Walter van Beirendonck Landed-Geland Part I, 2001
23. Isa Genzken Ohr, 1980

Cardboard, plastic, mirror, spray-paint, acrylic, metal, textile ribbons, light ropes, mirror foil, colour print on paper, MDF and casters. Materials that constitute the fashion collections and art installations of Walter van Beirendonck and Isa Genzken. Glitter foil and foam structures are their totems of popular culture, stacked on top of each other.

Rather than propelling a material-ist approach of 'readymades', the works function as allegories. The matter's value is absolutely neclected and the singular parts taken out of their original purpose and meaningfulness. By re-combining this 'material', Beirendonck and Genzken create new bodies, structures and machines that are abstract and futurist in form but reminiscent of everyday, well-known ideas and domestic objects.

The end result is a 'transformational cluster' of non-related parts that are forced or molded into a new grouping. Similar to child play or alchemist experiment, both figures follow the human urge to explore the principle of cause and effect. A 'what-happens-if' working mode.
/HORST

Post London II

A false encyclopaedic guide to the London collections, presenting:
Marios Schwab Fall/Winter 2013

1. Mohammad Ehsai Double Force, 1977
2. Xena Warrior Princess, 1995-2001
3. Bernhard Willhelm Spring/Summer 2009

Horst on a red carpet could most possibly involve a Marios Schwab calligraphy dress in velvet and lace. Add a biceps tribal tattoo and a mention on the best worst dressed list is assured.
/HORST

Horst Decoration, Issue 7

1. Melt Chair Nendo, Cabinet Snickeriet, Table Ettore Sottsass
2. Mamma Chair Gaetano Pesce, Chair Rick Owens
3. Il Piede sculpture Gaetano Pesce, Zink shelf Jonas Bohlin

Sculpure as furniture. Symbolism as cushion. Welcome to my fictive 'black and white' home. We will play chess, eat dark chocolate and vanilla ice cream, wear leather and mesh, say 'Yes' or 'No' but never 'Maybe'.
/HORST