Showing posts with label pin-up. Show all posts
Showing posts with label pin-up. Show all posts

Monday

Tokyo Diaries XIV

A mental travel preparation.









1. Yohji Yamamoto Fall/Winter 2011 2007
2. Yohji Yamamoto Fall/Winter 2007
3. Yohji Yamamoto Spring/Summer 1998

Another example of reversion as cultural adaption. Printed on the back, the pin-up of Western sex-charged trash culture is turned into a decorative token, treated with the same respect as a true masterpiece (or Dalí).
/HORST

Posing With Cars









1. Steven Klein L.A. Portfolio, L'Uomo Vogue 2006
2. Steven Klein Spread Eagle, Dutch Magazine 2002
3. Steven Meisel Speed Racer, Vogue Italia 1997
4. Thom Browne & Zac Posen Infiniti Q50, 2013

Steven M. and Steven K. are united by their love for hot wheels and naked flesh on cold steel. The car as metaphor for a 'large penis' has established itself as fashion accessory and, lately, statement collector's piece. Car pin-ups Thom Browne and Zac Posen agree.
/HORST

Friday

Further Attempt







Re:Quest Models Show package Spring/Summer 2013

The incredibly poignant answer to the famously banned Calvin Klein commercial. A male model show package in denim and wood. How appropriate.
/HORST

Wednesday

Glitter Steroids



1. Nick Knight Beauty & The Beast, Arena Homme Plus #34
2. Sølve Sundsbø Think Pink!, Love Magazine #8

Love Magazine presents their first ever male centrefold pin-up. Jonathan Saunders. Smoking. Arena Homme Plus shows a double lipstick act for the cover story of issue #34: Heroes & Pin-Ups.
/HORST

Saturday

Simulation, Stimulation









1. Andreas Angelidakis Hand House, 2010
2. Franz Roh Hommage à Max Ernst, 1935
3. Man Ray Profile and Hands, 1932

'Case Study House attempts to sum up a portrait of Los Angeles as a city of infrastructural crisis, impending disaster and celebrity paranoia. (...) Now the gigantic hand (...) appears to be coming out of the water, elegantly holding a serving tray, as if the Statue of Liberty became a waitress and her hand holds up a building, perched over the cliff like a billboard.' - Andreas Angelidakis
/HORST
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