Posing Without Pants, Epilogue

1. Georg Baselitz Spekulatius, 1965
2. Georg Baselitz The Big Night Down The Drain (Die Große Nacht Im Eimer), 1962–63
3. Georg Baselitz Untitled (Remix), 2007

Since the Penis Revolution has confronted us with the very reality of manhood, we are asked to question our own relationship towards what is hidden or revealed between our legs. If the decision was to be made by Georg Baselitz alone, the answer is straight-forward instead of upside down: Embrace. Comrprise. Grab. In other news, Baselitz would wear chaps.
/HORST

Sherman Questions XV

1. Cindy Sherman at Louis Vuitton Fall/Winter 2014
2. Balenciaga Spring/Summer 2011

So what would Cindy Sherman wear? The real Cindy Sherman. Not her 'other' portrayed self. She does, in fact, wear the 'lesbian collection' - those celebrated buckle boots. In blue crocodile leather. By Balenciaga. By Nicolas Ghesquière. And short hair. At this morning's Louis Vuitton show.
/HORST

Image credits WWD

Harlekin, 2014

or 'Heidemarie Jiline Tought Me Drama'

Top Jil Sander

A classic rule of (tragic) comedy: Repeat something three times. And then, change it. A classic rule of (poetic) drama: Let there be no happy end. As a result: We laugh tears, and cry tears.
/HORST

Paths Towards Modernity II

A fictive documentary in art and fashion.

1. Georg Baselitz Familienbild Ancora, 2009
2. Jil Sander Fall/Winter 2007
3. Jil Sander Fall/Winter 2007
4. Georg Baselitz Victor Brauner Besucht Dix, 2008
5. Jil Sander Fall/Winter 2000
6. Georg Baselitz Und Die Ganze Folklore, 2009
7. Jil Sander Fall/Winter 2011
8. Georg Baselitz Besuch In Ekely, 2005
9. Jil Sander Fall/Winter 2011
10. Georg Baselitz Ekely, 2004
11. Jil Sander 1990
12. Georg Baselitz Untitled, 1998
13. Jil Sander Fall/Winter 2004
14. Georg Baselitz Elke I, 1975
15. Jil Sander Fall/Winter 2003
16. Georg Baselitz Tränenkopf, 1986
17. Georg Baselitz Gut Grau, 2009
18. Jil Sander 1966

Georg Baselitz and Jil Sander/Raf Simons share a rawness, immediacy and severity. Mostly depicting/proposing men in suits and women in primary colour dresses. They are minimalist, restrained and, yet, messed up. The purity of imperfection.
/HORST

Archivio, An

Stone Island Archivio '982-'012

Scientific research has shown that performance clothes influence the wearer's performance. Capes lend the ability to fly while metal foil surfaces teleport to outer space.
/HORST

Portraits Of An Artist V

1. Yves Klein Gelsenkirchen Opera, 1959
2. Andy Warhol The Velvet Years, 1965
3. K.P. Brehmer Berlin studio, 1974
4. Marina Abramović Rhythm 10, 1973
5. Joan Mitchell Paris studio, 1957
6. Yayoi Kusama Infinity Nets, 1961
7. Yayoi Kusama Infinity Nets, 1961

While portraits of male artists often show the subject dirty and proud, either right before completion or while revealing the final result, female artists seem to be captured in the sensual act of creation itself - in an almost meditative manner, pausing, thinking.
/HORST

Poster Boys (Without Beuys)

Inez van Lamsweerde and Vinoodh Matadin V Best: Five Years of V Magazine, 2005

Just like setcards from a model agency's development department, the cast of a new scripted reality show, or the long-overdue indie boy band - we are introduced to three unusually handsome actors headlining the greatest of all fashion plays.
/HORST

"Prada Banality", Post-Painterly Art IX

or 'Fashion For Intellectuals' (FFI)



1. Otto Dix Portrait Of Dr. Heinrich Städelmann, 1922
2. Prada Fall/Winter 2013

But why is Miuccia Prada referring to conservative codes? To suits, coats, ruffle shirts. Why is her proposal so bourgeois? Why is the movement of 'Neue Sachlichkeit' fashioned into 'Neue Spießigkeit'? Or, in other words: Why are 'we' re-evaluating conservative patterns?
/HORST

"Prada Banality", Post-Painterly Art VII

or 'Fashion For Intellectuals' (FFI)



1. Chad Wys Nocturne 113, 2011
2. Prada Fall/Winter 2013

Another motif in Prada's latest offering is the idea of 'portraiture'. A classical, artistic modus operandi. By misplacing the collars (seemingly as an act of confusion or childhood-ness) our attention is directed towards the face. Distortion is used as a framing technology/trick. A special effect (similar to Photoshop) that aims to trigger one thing: facial emotion.
/HORST

A Photo Booth Biennale, Epilogue V

A second look at The Artwork Will Be Present, 2013.






1. Robert Mapplethorpe Calla Lily, 1988
2. Robert Mapplethorpe Leather Crotch, 1980
3. Robert Mapplethorpe Mountain, 1983
4. Robert Mapplethorpe Veronica Vera, 1982
5. Robert Mapplethorpe Self Portrait, 1980

By now, it should be evident that this 'exhibit' is about the aestheticism of the 'ugly' side: the human longing for the most basic means of survival. As victims of our nature, we do deny the subliminal. Yet, we cannot stop ataring at it. This gaze is being well provided by Mapplethorpe.
/HORST