A Short History Of The Comic Strip In Popular Culture V

1. Helmut Lang Spring/Summer 2003
2. Dirk Bikkembergs Fall/Winter 2003
3. Felix, the Cat 1919
4. Popeye, the Sailor 1919
5. Moschino Cheap & Chic, 1995
6. Givenchy Fall/Winter 2013
7. Comme des Garçons Spring/Summer 2005

The use of comic characters in fashion. Felix, the Cat appears at Helmut Lang and Dirk Bikkembergs. Olivia (from Popeye, the Sailor) becomes the alter ego for Moschino. Bambi is cut and pasted into Givenchy while Pink Panther functions as declared muse for Rei Kawakubo. What does it tell us? It tells stories without telling stories. It's a pastiche, a placeholder. a licence deal. An epic history in thousand chapters with the ultimate cliffhanger: hanger appeal.
/HORST

A Short History Of The Comic Strip In Popular Culture

1. Imi Knoebel Canapé, 1987 - 1991
2. Roy Lichtenstein Whaam!, 1963
3. Joe Brainard I Remember, 1970
4. Raf Simons Spring/Summer 2009
5. Miu Miu Spring/Summer 2011
6. Tom Ford Fall/Winter 2013

The onomatopoetic 'explosion' star. We encouter it in isolated form (in sculpture), as contextual placement (in painting and poetry), as well as random object (in fashion) - which, in turn, would lead us to a loss of meaning through its recycling in fashion and therefore speak for a reduced cultural value of the latter. But we will have to investigate further.
/HORST

Post Graduate IV

A false encyclopaedic guide to the Central Saint Martins collections, presenting:
Luke Stevens B.A. Graduate Collection 2012

1. Christopher Shannon Spring/Summer 2012
2. Yves Tanguy The Invisibles, 1951
3. Helmut Lang Make It Hard 2011

An assemblage of dip-dyed, glued-together pieces. Of raw, intuitive gestures, adding layer for layer for layer. Sportswear as a form of extreme DIY. Destruction as creation.
/HORST